THE EPIC SOUND BLOG

Our collection of bite-size, audio related stories from around the web.

Colin’s exclusive Fringe sound design interview


July 5, 2010

Colin Hart over at Colin Hart’s Sound Kitchen has an excellent, in-depth interview up with Bruce Tanis, sound designer on Fringe.

CH: “Fringe” has a unique library of effects, often dealing with subjects that we would have no knowledge of how they sound, yet the show remains very organic sounding. What is your approach to designing sound for these things?


BT: I usually try to use ordinary sounds and work on them through plugins and other devices to make them sound interesting. I use a lot of animals and natural events like wind and water to build different effects. Dry ice is my friend! At least as a starting point anyway but they don’t stay there long! Some of the effects, like the weapons or devices usually start from various machines but however big or small they start out, I try to keep their final scale appropriate to what we see on the screen so hopefully that makes them sound a bit more organic as well.



Read the full interview with Fringe sound designer Bruce Tanis here.






  Posted by Asbjoern Andersen, Epic Sound - Contact

Category television sound Tags , , , , ,

The faces behind the voices


May 3, 2010

The CBS Sunday Morning show takes a look at the faces behind some of television’s most recognized voices:





(via @bobsouer)





  Posted by Asbjoern Andersen, Epic Sound - Contact

Category voice-over Tags , , , ,

The voice of a white line


March 24, 2010

More than often, it is not what you say but how you say it – as seen in this animated classic, for instance. Great storytelling with extremely simple means, and a voice by Carlo Bonomi which really adds a distinct character to the whole thing.






  Posted by Asbjoern Andersen, Epic Sound - Contact

Category voice-over Tags , , , , ,

What it takes to be a trailer composer


March 7, 2010

Electronic Musician has a feature on composer Kevin Teasley, and his take on what it takes to be a trailer composer. Here’s a snippet:



If you were new in town and you wanted to try to get into the trailer-composing business, what would be the two or three things you would do, knowing what you know now?


Make sure to become literate to the craft, the skill set — not only on the creative side, but the business side. Make sure to learn what composers are charging for certain cues, how they should be delivered, and who should mix them. How does the licensing work? Who licenses it for you? What are the terms that you should know? The one thing you really don’t want to happen is to finally get that meeting with that person you want, and when you leave they say, “This person has no clue.”

 

Read the full interview here.

 






  Posted by Asbjoern Andersen, Epic Sound - Contact

Category film sound Tags , , , ,

Creating the soundscape for ‘Lost’


March 5, 2010

Mix Online has a feature on the creation of the soundscape for the sixth season of ABC Television’s ‘Lost’ – a fine read indeed.





  Posted by Asbjoern Andersen, Epic Sound - Contact

Category television sound Tags , , , , ,