THE EPIC SOUND BLOG

Our collection of bite-size, audio related stories from around the web.

How to get started with audiobook narration


June 29, 2010


While the majority of our work in Epic Sound is in audio for games, film, television and product sound, we’ve also grown to become one of Denmark’s largest studios for audiobook recordings, with hundreds of titles recorded so far.


One of the questions we often get is: How do you, as an external voice actor, break into audiobook narration?


Well, if you’re an experienced voice actor, put together a reel that shows off your narrating skills and submit it. You can send it to us, and to publishers who specialize in audiobook production. They are usually the ones deciding what voice actor should be working on a given title.


But if you haven’t got a lot of experience in voice acting or narration, what’s the best way of getting started?



I usually recommend that budding audiobook narrators head over to a site called Librivox.org to hone their skills. Librivox is a volunteer project where books that are in the public domain (ie the copyright has expired) are recorded, and anyone can download and listen to the results for free. Everyone can join, and you can record in whatever language you want.


Librivox.org is a great way of getting the hang of narrating, and, ultimately, finding out if audiobook narration is your thing after all. They also have forums to help guide you along the way.


And a great bonus of getting involved with Librivox is that not only do you gain valuable experience in narration, you can also use the best bits of your recordings for that all-important voice-over demo reel.


As for equipment, you’ll of course get the best results by recording in a proper studio with a technician at hand, but if you’re just starting out, you can also get some usable results from setting up a small recording space at home or elsewhere. Peachpit has a fine guide to picking the right tools for podcasting – and many of these suggestions also apply to audiobook recording.


Also check out John Pruden’s guide to getting started with audiobooks – part one of the guide is here, and part two is here.


Oh, and while you’re here, you’re very welcome to pop on over to the demo section and check out some of our audio work – do have a listen!






  Posted by Asbjoern Andersen, Epic Sound - Contact

Category voice-over Tags , , , , , ,

Audio interview with composer John Debney on ‘Predators’


June 26, 2010

Film Music Magazine has a great, in-depth audio interview up with acclaimed composer John Debney on his score for Predators. Well worth a listen!


Debney drives the chase with a role that’s equal parts acolyte and new interpreter, turning the vibe of one great hunter into his own fresh meat.


But then, for all of the sunny comedy he’s popularly played with the likes of “Liar Liar,” “Jimmy Neutron” and “Valentine’s Day,” Debney has shown a dark side that’s gone for the throat with “I Know What You Did Last Summer,” “The Relic” and “End of Days,” not to mention a mammoth sense of symphonic adventure in his rollicking work for “Cutthroat Island.”


All of those styles come into play for “Predators” with a vengeance, making for a score that’s an homage in all the best, creative possibilities- and one, that along with “Iron Man 2,” will likely propel Debney further up the list of summer blockbuster action composers.


Hear the full interview with John Debney right here!


Update: Came across this footage from a ‘Predators’ scoring session – have a peek below:







  Posted by Asbjoern Andersen, Epic Sound - Contact

Category film sound Tags , , , , , , ,

The rascal of Europe, in all its beauty


June 25, 2010

For anyone who’s been doing any flying this Spring, the Icelandic volcano with the hard-to-pronounce name has been causing a lot of problems.

But Sean Stiegemeier took a different look at Eyjafjallajökull in this great-looking time-lapse video:






  Posted by Asbjoern Andersen, Epic Sound - Contact

Category niceties Tags , ,

Audio homework with Chuck Russom


June 23, 2010

Sound designer Chuck Russom launched an experiment where he asked people to record and submit sounds from their surroundings, and I think some quite interesting sounds came out of it. Check the comments below the waveform for an explanation of the source for each recording. The cat certainly has a creepy sound to it :)

A couple weeks ago, I asked readers to send me sounds that they had recorded. The only guideline I gave was the it was supposed to be recorded new that week. I got quite a few responses, way more than I expected. It’s really awesome to get sounds from people all over the world, all using different types of equipment. Some truly inspiring recordings were submitted. I want to thank everyone who took the time out to record and share their sounds. Hopefully this exercise has inspired you to record more often.


Audio Homework 01 by crussom


Read the full post over at Chuck’s blog.






  Posted by Asbjoern Andersen, Epic Sound - Contact

Category recording Tags , ,

Around the world in sound


June 21, 2010

Check out the brilliant Aporee sound map, featuring user-submitted recordings from across the globe. It’s easy to upload your own recordings – but if you just feel like listening, stop by as well for an aural journey across the planet.


aporee maps has started 2006, based on former artistic research on mapping, spatial conditions and the navigation between the real and the virtual. It develops from the insight that it is basically impossible to map the complexity of todays public spaces.


Against the background of an increasing awareness of spatial aspects in media and the popularity and presence of visual geographies like google maps, the idea was to connect sound and space, and to create a cartography which focusses solely on sound, and open it to the public as a collaborative project.


Meanwhile it contains 1000s of recordings from numerous urban, rural and natural environments, showing the sonic complexity of these environments, as well as the different perceptions and artistic perspectives related to sound, space and places.


 

Go explore the Aporee sound map right here!

 

(via @timprebble)






  Posted by Asbjoern Andersen, Epic Sound - Contact

Category recording Tags , , , ,

Creating the sound for Toy Story 3


June 19, 2010

The Soundworks Collection takes a look at the sound for Toy Story 3 in this excellent feature – check it out!


Join Skywalker Sound’s Re-Recording Mixer and Sound Designer Tom Myers, Sound Re-Recording Mixer Michael Semanick, Director Lee Unkrich, and Stuart Bowling, Technical Marketing Manager at Dolby Laboratories as they take you behind-the-scenes and discuss the sound of Toy Story 3.



Speaking of Toy Story 3, Tracksounds has reviewed Randy Newman’s score for the film – read all about it here.







  Posted by Asbjoern Andersen, Epic Sound - Contact

Category film sound Tags , , , , , , ,

Another amazing music video from OK Go


June 17, 2010

OK Go have been at it again with their video for ‘End Love’ – certainly looks like a lot of effort went into making this one!








  Posted by Asbjoern Andersen, Epic Sound - Contact

Category music,niceties Tags , ,

Earthscape – from a fellow game composer


June 16, 2010

Fellow ex-demo scene member and game composer Alexander Brandon has released Earthscape, a new album with clear references to that old-school demo scene sound – check it out over at his Bandcamp page.










  Posted by Asbjoern Andersen, Epic Sound - Contact

Category game audio Tags , , , ,

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